Douro Valley

First impressions: Rural, quiet, the kind of place where it seems you've stepped back in time.

Tourism wins: Endless terraced vineyards, picturesque river views, all the good Portuguese port and wine the heart could desire.

Fails: A winding road that will make you wish for some dramamine. Also, beware that most wineries stop their tours for an extended lunchtime break, ending at noon and only resuming at 2:30pm.

If you go there do this: Visit Quinta da Pacheca winery, boutique hotel, and restaurant. It is a really stunning location and I would love to stay there next time we visit the region.

Food and drink highlights: The bacalhau (codfish) at Quinta da Pacheca.

Interesting observations: The Douro valley reminded me a lot of Peci, the little village where my family is from in Italy. Not so much in the scenery, but in the general feel of the place, the vegetation, the crumbling stone walls and old farmhouses, the persistent dampness in the air, the slow pace of seemingly everything.

A selection of photos below...

Porto

First impressions: Chaos. Craziness. Total disbelief at the route into Porto our GPS suggested, which took us over some train tracks, through what seemed like a pedestrian alleyway, and then down the narrowest, steepest road I've ever been on in my life (even for European standards). We went around a series of hairpin turns along a cliff, certain we'd have to deal with reversing up that nightmare because there was no possible way we were on the right street and turning around was out of the question...when suddenly, as if out of a James Bond film, that tiny road-path led onto a gigantic bridge and we crossed the Douro River into Porto.

Tourism wins: Incredible architecture...a hodgepodge of gothic, rococo, manueline, and modern. Vertical is the norm, as the city is built along a steep riverside canyon and space seems to be at a premium. Every available piece of land seems to be covered by churches, elevators, bridges, restaurants, apartments. It is a visual feast.

Fails: Crazy traffic, lots of construction, crumbling/forgotten buildings, and a general sense of chaos in Porto.

If you go there do this: Walk across the bridge, then take the teleférico aerial tram on the other side of the river in Vila Nova de Gaia. Do a port tasting/winery tour (we went to Ferreira and it was great).

Food and drink highlights: Dinner with Rico and Emilia's distant relatives at a fish restaurant in Matosinhos, near the port. This is not at all a touristy area, although it's pretty easy to reach. Lots of fresh seafood cooked to perfection on charcoal grills set up along the street outside each restaurant. We tried percêves/percebes aka goose neck barnacles, these strange dinosaur-like mollusks that you peel and then eat.

Interesting observations: While I absolutely loved Lisbon, I didn't have the same feelings about Porto...and I can't really pinpoint why. It was an interesting city and well worth the visit, but next time I'd spend less time in the city and more time in the wine country of the Douro valley.

A selection of photos below...

Lisboa

It's our first time in Portugal, a welcome holiday after working intensely for the last several months on the gallery. Here are some of my thoughts, images, and feelings from the trip thus far...

LISBOA

First impressions: The city is incredibly calm. Wide streets, lots of trees, next to no traffic even at rush hour. Rico and I both came to the conclusion within several hours that Lisbon is a place we could easily imagine calling home...perhaps in retirement, because we're in no hurry to leave Casa Cali anytime soon.

Tourism wins: Walking around aimlessly, stopping at beer gardens in leafy plazas, admiring the architecture and the ubiquitous tiles, eating tapas. Lisbon is an exceedingly pleasant and easy city to navigate, and they are totally prepared for tourists. The city is multi-lingual and its inhabitants are very friendly.

Fails: I got offered drugs several times while walking around and minding my own business...sketchy dudes that rushed at me with outstretched hands and insistent voices (hash, marijuana, coke). Also, we had a horrid meal (bad food and service) in a super touristy spot in Rossio, but I think it was what you would expect from that type of establishment anywhere in the world, not anything particular to Lisbon.

If you go there do this: Hop on the Elétrico 28 trolley car and ride it to the end of the line, or get on and off as you please (go early so you don't stand in line). Also go see a Fado show, but make sure to get a reservation.

Food and drink highlights: Grilled octopus and caipirinha crème bruleè at Darwin's Café at the Chapamilaud Foundation, a colorful and modern spot on the shores of the Tejo River that we certainly would have never found on our own (we were taken to lunch by Rico and my mother-in-law's distant Portuguese relatives).

Interesting observations: Lisbon often felt exactly like the older parts of Rio's downtown (centro antigo) and Santa Teresa, as well as parts of Maputo. I have never felt so at home in a place I've never before visited. And the city is notably diverse...Europeans from all over the place, Africans, Indians, Chinese...seemingly a mix of residents/expats as well as visitors. Oh, and the hipster vibe is strong, but not overly annoying.

A selection of photos below...

My Latest Work

"You make me happy when skies are gray". 2"x2". Brooch made with repurposed treasures collected as a child and found in my grandmother's drawers, Brazilian golden grass (capim dourado), sterling silver, copper. Ali Amaro, 2014. photo by Mathew Furuta.

Back view of "You make me happy when skies are gray." I am especially happy with the way I attached the objects to the backplate...it was a risk to ball up those wires with a torch, but I am so pleased with the patina and charred marks that were left behind. Photo by Mathew Furuta.

"Trade Bead and Texture Drops". 3"x0.5". Dried acrylic slices (made with leftover paint from murals created for the California Hotel in Oakland), Xing Dynasty Chinese enameled beads, Mozambique Island shipwreck trade beads (these particular blue beads are called "dutch donuts"), chrysocolla drops, 14k gold, sterling silver. Ali Amaro, 2014. Photo by Mathew Furuta.

Detail of "Trade Bead and Texture Drops". Photo by Mathew Furuta.

Point to Point Richmond

Lately I have been very involved in community organizing. New artists and businesses have teamed up with the old guard, and some fantastic grassroots ideas have come together. We all want to see something fresh, legitimately fun, and creative to celebrate our quirky community. After a series of brainstorming sessions, Point to Point Richmond was born.

The kickoff event is this Saturday, May 10th from 2-6pm. I will be hosting several performers and a booth at the Ali Amaro Gallery (which, I was excited to note, already has red dots happening in the decor!).

I am looking forward to the first Point to Point, and to the event evolving as we go forward. The plan is to have monthly celebrations: the next one will be on June 21st, the summer solstice. More soon!

Birthdays and Art Milestones

Two of the people I love the very very very most in this world had birthdays in the last few days. We've enjoyed celebrating, keeping it low key.

All Rico wanted for his birthday was a lap full of cats. Not really, but that's what he is stuck with!

I love this photo of my mom that I took in Les Baux this summer when we went to France.

Speaking of milestones, my senior show went up one year ago today. When I stop to think about all that has happened, I feel profoundly overwhelmed. Grateful, excited, tired, bittersweet, hopeful, sad. What a ride.

One thing that makes me very happy is that I continue to make work in the vein of my senior show (Origins & Routes). Working with repurposed heirlooms, collectibles, and found objects is what I feel most strongly expresses my voice. I'll be showing new work this week...fitting timing.

What's been going on lately

A lot, really. The gallery (the showroom is now a gallery, btw. linguistic obsessions...) Anyhow, the gallery has been on several people's radar lately, including the Chamber of Commerce. I had a visit from Jamie the other day, which was really nice. She is a big fan of Kina, so was super excited to see Emi's work in the gallery.

 I've been heavily involved in organizing a community event called Point to Point. We are reinventing and reimagining our community, connecting the (red) dots, and having a lot of fun with pop-ups, performances, collaborations, and impromptu everything. Oh, look! I have red dots in my gallery already! Find out more here. Join us if you're in town!

I've been making new work. Here's a piece called "You make me happy when skies are gray." It is composed of repurposed brooches and treasure components found in my grandmother's drawers in Italy and collected as a child, a woven golden grass disc (capim dourado, Brasil), and a copper and sterling silver backplate and prongs. It is a brooch and also a wall piece.

I've also been working on a custom project. It has to do with polo and voyages and championships. It's been a lot, and I just finished it, and I feel relieved and excited and tired.

We went to Takoma Park (Washington, DC) to visit our very best group of Moz friends (minus a few good ladies and gentlemen, of course, but geography and babies make it hard.) Still, a reunion happened.

Here we are, being silly on the street before dinner. My friend Kyle joined us later, an old friend who I met in college (the first time around) in Albuquerque. It's good to be with old friends. Not "old"friends...Old. old. OLD. OLDOLDOLD. WHATEVER. You know.

London-São Paulo-Scotland-Geneva-Maputo-DC-Sweden-Solomons-Cariocas-New Mexico-California selfie 

People drank a lot of tea. And gin. And ate lots of cake and oysters. 

We had some silly times.

Some fancy times.

Some happy times.

It really was. And it was the best.

Spring Show Opening Reception

abre os olhos / open your eyes

Jewelry: Ali Amaro layered with Ibo Island silver filigree. Photography and Styling: Ali Amaro. Model: Bárbara Albuquerque. Sculpture in background from Papua New Guinea. On location in Point Richmond, California. 

The discomfort of taking a risk, seeing through new eyes, reaching beyond what is obvious...

Often difficult, always worth it. 

You can take a girl out of New Mexico...

I'm excited to share that two of my bolo ties and a letter to the editor have been included in this month's Lapidary Journal / Jewelry Artist magazine. Check it out! (click the photo to enlarge)